Showing posts with label gayle forman. Show all posts
Showing posts with label gayle forman. Show all posts

Thursday, 16 June 2011

Review: Where She Went by Gayle Forman

Warning: There are spoilers in this review for both If I Stay and Where She Went.  If you haven't read them, which I suggest you do right now, you had better not read this review, because it gives away critical things.
Summary (from Goodreads): It's been three years since the devastating accident . . . three years since Mia walked out of Adam's life forever.
Now living on opposite coasts, Mia is Juilliard's rising star and Adam is LA tabloid fodder, thanks to his new rock star status and celebrity girlfriend. When Adam gets stuck in New York by himself, chance brings the couple together again, for one last night. As they explore the city that has become Mia's home, Adam and Mia revisit the past and open their hearts to the future–and each other.
Told from Adam's point of view in the spare, lyrical prose that defined If I Stay, Where She Went explores the devastation of grief, the promise of new hope, and the flame of rekindled romance.

Review: So.  Where do I begin. 
If you've been following the blog for a while you may or may not know how much I've been going on about this book. I even contemplated taking an intense crash course in French so I could read it when it was released in France back in November. Alas, the Russian subjunctive and German subordinate clause have given me more than enough to worry about at the moment, and it was probably never going to happen, so I never did.
And then it was finally released here in the sceptr'd isle, so I read it in English, which is probably for the best anyway, because I doubt the fantastically haunting and spare writing style could be sufficiently translated into any language.

However, it's probably worth me mentioning that I was hesitant to actually start it, as soon as it was in my clutches: What if I didn't like it?  What would happen if Mia and Adam had changed from the awesome people they had been? What if them both being like that prevented me from not only disliking Where She Went, but If I Stay as well?  Most importantly, what would happen if either of them were killed off? 
But then my inquisitiveness got the better of me, and so I ended up tearing through this book in about two sittings. I guess it was kind of a combination of the fact that it was just so, well, amazingly done, and out of curiosity to find out what was going to happen next.  If I Stay was one of the best books that I read last year, and it was fantastic to see the stories of the characters I loved so much three years on.    And it's just as good as If I Stay, but for much of the book in a much more subtle way, I think.
Three years on, and Adam isn't at all like the passionate, enthusiastic musician that he was when we left him.  He's a perfect example of the cliché that is rock and roll, complete with an actress girlfriend, a house in LA, and thousands of fangirls across the world.  Strangely, although Adam's band has really taken off in Where She Went, and Mia was about to embark on a tour to Japan, I didn't feel like music was such a strong element of the book. I mean, music was the reason that Adam had become such a train wreck, and why Mia was in New York, but actually, directly, there wasn't that much of it.  In some respects this was kind of a shame, because to me that was one of the most powerful things about its predecessor.  It's a book not about events, or what makes up or leads up to events, so much as the events after the event; about the wheres and whens and whys and what ifs.  Does that make sense?  Ignore me if that makes things any easier.

It's one of those books that I couldn't really give a proper plot summary of. If I said to someone who asked me what it was about, or what happened in the book, I'd be like, "it's about a cello virtuoso and a singer in a band...and they used to be in love, and then she was in a car crash and lost her whole family..." but no, wait, that happened in the first book. What happens here?  "Well, uh, they find each other in New York City, and they spend the night together, and then they fall back in love,..." Yeah, it could just be me because I suck at summarising books, but at such a summary it doesn't sound like the most heart-stopping, gut-wrenching, turn-the-page-with-so-much-enthusiasm-you-almost-tear-it sort of book.  But oh, it is.  Very very much so. I read most of this while I was babysitting, and if one of the boys I was looking after had woken up I would have been like, "Wait just a second!  Mia's about to tell Adam why she never came back!"

Which is where we get to all the revelatory stuff.  The way the story is laid out is absolutely perfect; everything is gradually revealed, so that just when one thing is worked out or explained you're told about something else.  It's like unwrapping a present. There are so many layers and as you get deeper and deeper into the story, and you find out more and more, until you're just left with the one thing that really matters, the thing that you really want to know.  And, to me, it was an entirely sufficient explanation for why Mia just vanished from Adam's life after deciding to stay.  I felt a little twinge of dislike for her then, for doing that to Adam, but she had her reasons, and I totally get that. Gayle Forman has such a powerful way of writing about people and why they do the things they do.

I feel like I'm rambling a bit now, and that I can't really do it any justice. So. Just find a copy and read it and see for yourself. Laugh. Cry. Scowl. Cheer.  And be glad that Mia decided to stay and she went where she did.  And that probably sounds really cheesy, but it's true.

In three words: Powerful, revelatory, haunting.
recommended for: Everyone who wants to know what happened when Mia stayed.
Rating: 5

Tuesday, 24 May 2011

Armchair BEA: Best of 2011 [so far]

Dear Blog,
so, today's Armchair BEA topic is your favourite books read in 2011 so far.
A lot of the books I've read in the last few months have been pretty awesome, so this hasn't  been a very easy list to make.  I tried my best.
Oh, and another slightly-relevant note: I have access to wi-fi today, which means I am in fact spending day two of Armchair BEA sat on a sofa.  Not quite an armchair, alas, but the power lead to my laptop won't stretch to the armchair. 

 This is All by Aidan Chambers
Even though I'm not making this list in any kind of order, I believe it should go at the top.  This book.... I have no words. I love it I love it I love it.  All of you have to go and buy a copy this very instant and sit down and read it all in one go even though it's insanely long. That's why it's so good.   *flails*

After Dark or South of The Border, West of the Sun by Haruki Murakami
Haruki Murakami is turning out to be one of my favourite authors.  He just creates characters that are so real and ordinary and throws them into the surreal, and the results are absolutely fantastic. 

Anthem by Ayn Rand
Yeah, I know, Ayn Rand was pretentious and  her characters are varying degrees of hero depending on how much they comply with her beliefs, but philosophy intrigues me and dammit she does tell a good story.   I came about Anthem because it's set in a dystopian-type world à la We by Yevgeny Zamyatin, and original perceptions of the future of humankind make me a very happy bookworm.  Speaking of which; We holds a similar place on this list. 

Pink by Lili Wilkinson
There's lots of LGBTQ fiction about characters who are in the process of coming out, and while I still think it's entirely awesome that fiction with gay protagonists is more available these days, it's kind of refreshing to read a book like Pink, where the main character has a long-term girlfriend and is actually wondering whether they're not gay. This probably sounds really corny, but it's a celebration of identity and love and being yourself.  Proper review to come.

Impulse by Ellen Hopkins
I have much, much love for Ellen Hopkins. There are a lot of writers aspire to write books that are entirely *edgy* in a forceful way, like that's the only way a YA writer could sell. And it's entirely true that her books, of which I've read four, are entirely dark and not for the faint-hearted, she seems to write about them in such an effortless, flowing way. Impulse is no different.  It's dark and twisted but in an utterly compelling sort of way, and the voices of her characters could totally resonate with anyone.

So, there you go.  They're among the best books I've read in the last five months; We'll see about the rest of the year.


Sunday, 8 May 2011

In My Mailbox 23 or In Which Tesni Is Ecstatic Beyond Words

Dear Blog,
In My Mailbox is hosted, as ever, by Kristi of The Story Siren. 
I got three books this week. 

FOR REVIEW
Blood Magic by Tessa Gratton

BOUGHT
Anthem by Ayn Rand
Where She Went by Gayle Forman  [You have no idea how happy I am.  I totally danced around the living room when this came]

So I didn't really get many books, but I'm entirely happy with what I did get.
And now there's only one afternoon left of the weekend, so I had better post this and cram in all the unlimited reading time I have while I can.